Naked Giants: The Shadow (2020) – Album Review
Were Naked Giants able to step up their game following a solid initial release, SLUFF (2018)?
Category: Music Reviews
Julia Bhatt: Bird Girl Single Review
Young indie artist, Julia Bhatt is ready to turn heads with her comfortable-yet-danceable single, “Birdgirl.”
Poppy: I Disagree (more) (2020) – Bonus Tracks Review
Poppy’s album, I Disagree, is still one of my favorites of the year. How do the extra four tracks compare to the original release?
Near Death Experience: Moves (2020) – Single Review
NDX come back with yet another single to finish off the summer!
Lime Juice: Quietude (2019) – Single Review
With their original single, “Quietude,” Lime Juice bring back ’70s rock through a psychedelic journey.
OUTSIDER: Karma of Youth (2020) – Album Review
Inspired by a variety of new wave groups, OUTSIDER attempts to revive the synthetic and introspective genre with his own indie-pop formula.
100 gecs: 1000 gecs and The Tree of Clues (2020) – Album Review
Last year, 100 gecs became a large internet sensation with their breakout record, 1000 gecs. How do remixes from more mainstream stars, like Fallout Boy, help or hurt this release?
Cloud Nothings: The Black Hole Understands (2020) – Album Review
Cloud Nothing entered the 2010s as one of the more unique and experimental indie rock bands. Are they as inventive ten years later?
The Black Eyed Peas: Translation (2020) – Album Review
The Black Eyed Peas come out of nowhere with their second release since 2010. How does this differ from their 2018 record, and how good is it?
Near Death Experience: Conquer (2020) – Single Review
New, London indie-rock group, Near Death Experience, release a summer single: “Conquer.”
Danny Smart: She’s Mine (2020) – Single Review
This young, UK country star brings back some old influences with his new single, proving what’s been done hasn’t been finished.
Home State: Call Me / Leave Me (2020) – Single Review
The New York-based rock trio delve more into their electronic side on their newest single, “Call Me / Leave Me.”
